At 20.30, two and a half hours before Brexit, I bowed to the victory of the Brexiteers by sitting alone in a Wetherspoons pub and ordering British pie and British mash through the Wetherspoons app. (Thirty minutes later I realised I had ordered it to the wrong pub, but the staff kindly saved me from my own idiocy.)
At 22.00, one hour before Brexit, I was sitting on a plane with my seatbelt fastened, waiting to take off.
And by 23.00 I was safely in the air, somewhere over France…
I’d love to pretend that this was all carefully planned, but it was just a happy coincidence that Randi was working in Barcelona last week and suggested I joined for the weekend. Obviously I was happy to do so, because (a) it’s Barcelona, but also (b) the city has always gotten a raw deal on this blog. I visited twice in 2003 – once on a school trip and then later with my family – but alas this was a year before I started blogging so it left an annoying hole on my virtual scratch map. Until now.
Since we had both been here before – albeit a while ago – we didn’t feel any pressure to rush around ticking off all the tourist sights. Instead we did a healthy amount of walking and wandering: eating tapas, marvelling at how different big cities can feel from each other (there are no houses!) and saying silly things to each other like “this reminds me of Buenos Aires”. I was also pleased to confirm that, after over a year of Duolingo, my Spanish is definitely in a better state than it was in 2003. And sure, nowadays I’m even more aware that you’d be wiser to speak Catalan here than Spanish, but I hope that the bar for British tourists is sufficiently low that I passed.
The one attraction we did pay for was the famous Park Güell which consists of a small ‘Monumental Zone’ of Gaudi sculptures and a much larger free area with rewarding views of the city, the sea and the mountains if you climb to the top. We sat up here for a while in the sun, basking in the warm glow of an unhurried weekend trip and the knowledge that Europe is still right here, just over the water, and it isn’t going anywhere.
Last week, Katie and I supplemented our regular Doctor Who outing with the first episode of the new Picard series. It seems strange now but I didn’t discover Doctor Who properly until I was a teenager, while Star Trek was deeply woven into my childhood: my mum (the only one who knew how to program the VCR) would always make sure it was set to record if my dad and I weren’t going to be home to watch it live. It should be noted that my dad loved both The Next Generation and Deep Space Nine the best, but for almost opposite reasons. The former is a utopian fantasy of peace and flourishing, the latter exposes the darker underbelly at the fringe. One is a manifesto, the other is a reality check. Both series need each other, and play off against each other.
From a dramatic perspective, however, you can’t tell any interesting stories if all you have is peace and flourishing. That wasn’t a problem for The Next Generation because it was set on a spaceship exploring new life and new civilisations. As long as those civilisations were violent and warlike then you had yourself a plot. But Picard is set on Earth, so it can’t play the same cards. Instead, the first episode features the perils of celebrity, xenophobia and a manipulative media… all good elements for a high-budget science-fiction show, but they also makes it feel like a show set in a higher-tech vision of Future America rather than a genuinely bold and radical imagining of a different social order.
This isn’t a complaint – I enjoyed the first episode and I’ll try to watch more – and even if it wanted to, the makers of Picard couldn’t recreate the The Next Generation anymore than my mum could still program a VCR. It was just a strange feeling, that’s all, that the vision of the future from the past now feels so much further away than our newer imagined future.
As for visions which look backwards: last Thursday I saw Tom Stoppard’s new play Leopoldstadt with my mum and cousin Alix. I had never seen a Tom Stoppard play before but apparently he has a reputation and the official reason for inviting me to tag along was that I might be able to “help explain what I thought it meant” at the end.
Leopoldstadt tells the story of a wealthy Jewish family starting in early twentieth century Vienna. Some of the family members have converted to Christianity for social reasons although everybody is still very much culturally Jewish, and together they debate questions of assimilation vs. identity etc. One member of the family acknowledges that anti-semitism is still present but optimistically argues that “pogroms are a thing of the past” and things will only get better. The audience is supposed to feel haunted by the dramatic irony, I suppose. As staged, it just felt like a cheap trick.
I have a big mostly-Jewish family on one side, studied mostly-modern history at university and have seen an above-average number of plays. So maybe I’m not the target audience here. But I’m going to trust my instincts and just assert that this isn’t a very good play. The characters are given a huge amount of clunking historical exposition (the British Mandate in Palestine one moment, Bolshevik revolution the next) for no good reason, the plot is full of clichés and the script abounds with arched contemporary references to make the audience feel worthy and knowing. There are so many powerful and moving works about this topic, but this isn’t one of them.
